Wednesday, April 30, 2014

“How to Use Five Letterforms to Gauge a Typeface’s Personality: A Research-Driven Method” by Jo Mackiewicz

Introduction
In this article, Mackiewicz discusses the various ways that readers interpret the “personalities” evoked by various typefaces. She discusses the importance of typeface selection for technical writing, as using a typeface that does not match the mood one is trying to convey in a piece of writing can be detrimental to its interpretation by the audience. Mackiewicz points out that although many knowledgeable technical communicators and typeface designers acknowledge the personalities that typefaces possess, the literature is lacking an empirical, research-driven approach to gauging what typefaces evoke certain qualities. She attempts to fill a gap in the research with her study, which incorporates the use of surveys and other qualitative research methods.

Research Questions
Mackiewicz’s study attempts to answer the following research questions:
1. What personality attributes do various typefaces convey, according to study participants’ assessments?
2. Do typefaces assessed similarly for a particular attribute have any anatomical features (i.e. physical characteristics) in common?

Analyzing Anatomical Features
Mackiewicz sets up a survey that asks subjects to rate 15 different typefaces for their “professionalism” and “friendliness” on a Likert scale. Her subjects included 62 undergraduate students, some freshman and some upperclassmen. She selects the letters “Jagen” because they include particular anatomical features such as single vs. double story letters (a, g), obvious serifs or lack thereof (n), and a letter that extends below the baseline (J). She selects typefaces that range from easily recognizable to fairly uncommon in a variety of styles. After collecting the responses from the participants, she attempts to triangulate the data by comparing what participants said about the fonts with what typographers and technical writers have said. She found that certain anatomical features could be related to ratings of “friendly,” such as imperfect letters (see Bradley Hand), simplistic lines (Comic Sans), and roundness of letters (both the above fonts). In contrast, attributes associated with fonts rated highest for “professionalism” feature balanced terminals, moderate thick to thin transition, moderate weight, and moderate proportion.

Results

Mackiewicz acknowledges some pitfalls to her study, but claims that overall it offers technical writers a research-driven method for assessing what fonts are appropriate for certain documents. She encourages writers, based on the results of her study, to explore more interesting and out-of-the-box fonts with confidence. Her study offers an extension to personal preference or intuition method that is often used in font selection, and gives technical communicators a methodology for choosing typefaces to fit the tone of their documents. 

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